Adam Gopnik, "Comics and Catastrophe," New Republic, 22 June l987.

If you ask educated people to tell you everything they know about the history and psychology of cartooning, they will robably offer something like this: cartoons (taking caricature, political cartooning, and comic strips all together as a single form) are a relic of the infancy of art, one of the earliest forms of visual communication (and therefore, by implication, especially well-suited to children); they are naturally funny and popular; and their gift is above all for the diminutive.